Divinity: Original Sin II is Divine

Divinity: Original Sin II pulled off the impressive task of taking the kitchen sink approach to <a href="http://www.Liberte-de-conscience-rideuromed.org/forum-d%c3%a9changes/profile/sharroncramp589/">SLG Game News</a> design by cramming as much into it as possible yet somehow making it all work, making it a fantastic title for solo or multiplayer gaming. Playing the Divinity: Original Sin is not required to enjoy this title or its story, though having played the first game will make the experience more rewarding. Everything about Divinity: Original Sin II is of the highest quality and any negatives that could be said are basically nitpicking, such as the camera angles might obscure characters one percent of the time or the inventory set up isn't as nice as you've seen in some other games. No <a href="http://hev.tarki.hu/hev/author/Hong06Y138">SLG game patch notes</a> is perfect, but this one comes closer than most. Larian Studios created a masterpiece with Divinity: Original Sin and using that as a template and listening to player feedback during the development process, they challenged themselves to create a superior successor and accomplished that goal. Divinity: Original Sin II is not only a contender for best game of 2017, but one of the best RPGs ever created. The game could easily take a hundred hours to complete and the interplay between the well-constructed story, gameplay mechanics and player freedom creates a world I could see myself revisiting with different parties just to watch the story unfold differently. Simply put, Divinity: Original Sin II is truly divine. <img src="https://www.freepixels.com/class="; style="max-width:420px;float:left;padding:10px 10px 10px 0px;border:0px;" alt="" />Divinity: Original Sin was met with universal acclaim when it was introduced over two years ago. This should not be surprising, as the title featured a massive world to explore had almost no restrictions on how the player went about completing it. This story driven adventure featured a multitude of side quests that could be handled in a variety of different manners, resulting in a game experience that becomes uniquely tailored to the player's choices and play style. Creating a worthy follow up to to such a quality game is no small task, but Larian Studios seems to be up to the ambitious task of creating a sequel that doesn't simply match the quality of its predecessor but also surpass it. The player is free to create a custom original character to fit their own design as was the case in its predecessor, but the option of selection a premade character with an origin story is available. These characters come with their own unique background that are closely linked to the main narrative. Origin story characters not selected by the player can still be encountered as NPCs and possible join the character's party. The origin story will be an evolving element of the character that is shaped through completion of origin story quests. The specific origin stories will influence how the inhabitant of Rivellon react to the player and will provide additional dialog options. There are currently four origin stories available in the Early Access with the plan to add more as the game continues to develop. To give an example of what makes origin stories unique, the character Lohse has an entity that communicates with her, something akin to demonic possession mixed with schizophrenia. It is possible for Lohse to enter a state of temporary insanity if she fails to win a challenge against this thing that dwells within her. There are some RPGs that hold the player's plan, at least through the beginning parts of the game. Divinity: Original Sin II **** is not one of these games. The player is given objectives and some hints at where they might need to head to accomplish them, but nearly unlimited freedom is given to the player in how they wish to go about it. This freedom on top of proverbially being thrown to the wolves level of hand holding can be overwhelming for players not used to it, but this means how the game unfolds is entirely up to how the player wishes to accomplish the myriad tasks. For example, if you have ever played an RPG and wished you could just hack everyone to death and not have to attend to the errands of an annoying NPC, that freedom exists. I am not suggesting that killing every NPC in the game will lead to the optimal experience with this title, but the freedom is there for anyone who wishes to try it. The barbaric blood path is a choice, the numerous dialog options as well as other behavior choices could make completing the story a very cerebral experience. There are many treasures and interesting hidden encounters on the island and a good portion will be missed if the player is fixated on only solving the quest that is supposed to lead to the escape from Fort Joy. Original Sin II gives the player a lot of freedom in regards to their play style and how they want to interact with NPCs, but remember that every action carries its own consequence. During the review play through, Fane started peaceful and diplomatic with all magisters and other NPCs lurking about Fort Joy and always sought a non violent solution for each encounter, that is until one particular incident happened. A cat had decided to follow us, and even thought with the Pet Pal talent he didn't speak very much he was a friendly companion. During some exploration of Fort Joy Fane and his companions came near a locked gate, they weren't causing any trouble and guards told us to step away. As we started to take our leave a guard shot an arrow at the cat without provocation killing it instantly. These guards then saw a display of poison and fire that left their charred, broken corpses arranged in a display that would make John Wick proud. A well timed autosave from not even five minutes prior allowed for a load where the feline companion was back good as new, but this time Fane was getting on the other side of that gate, and these same guards were preemptively killed again before they could bring any harm to the cat. This had a slight impact in how the magisters viewed us in town, so from this point on the play shifted to a much more aggressive style that was intolerant of magisters.