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<br>These are the video games that we would most like to see on film, but are there any that you think deserved to be on the list? Let us know in our comment section and don't forget to subscribe to our channel for more videos like this <br><br>There’s something odd about an HD port built for a console which itself has games that are being ported to a superior console. Let’s reflect on Fable Anniversary for a second: it’s a 2014 Xbox 360 remake of an Xbox game from 2004. We’re in an age where people are demanding for spectacular looking games like Grand Theft Auto V and The Last of Us to be ported to Xbox One and PS4, and this is an Xbox 360 port of an original Xbox game. As such, judging it is fairly hard to do after spending countless hours over the past few months scrutinizing next-gen ports like Tomb Raider, Madden 25 and Call of Duty: Ghosts, when Fable Anniversary would be a resounding success if it matched the 360 quality of any of them. Still, while a remake of Fable might have been better suited for release before Fable II or as a three-pack with its sequels on Xbox One before Fable IV (please?), the sheer fact that Lionhead and Microsoft care to do it at all is great fan service for players who have had to deal with an antiquated game — classic as it may be.<br><br>With a sprawling, graphically intense world part of a near fifteen-hour campaign, Fable: The Journey breaks any conceptions of what a Kinect title can be. It’s not demo material or a novelty release, but an uncompromising adventure game that weaves an engrossing story while utilizing the full potential of motion control. It doesn’t always work flawlessly, but the sheer ambition alone makes it a must-own for Fable and Kinect fans alike.<br><br> <br>Anyone who's seen a Mad Max movie will easily be able to spot the direct influence of those films in Borderlands , Gearbox Software's colorful, cel shaded open world role-playing shooter. The alien planet of Pandora is a dangerous wasteland and pretty much everyone who lives there is insane, but that's all part of its charm. The plot of the games follows groups of fortune seekers who are trying to track down mysterious Vaults full of immensely powerful alien technology, and we'd love to see a filmmaker tackle both the offbeat humor and the treasure-hunting quest at the heart of the Borderlands ser<br><br><img src="https://yewtu.be/QCxTEkG5ILg"; style="max-width:410px;float:left;padding:10px 10px 10px 0px;border:0px;" alt="Kirby and the Forgotten Land - Full Game />While Molyneux has certainly made this attitude a recurring (and expected) one, many of the creative ideas from him are the ones that never saw the light of day. Personally, I’m of the small camp who believe the Kinect/Natal demo Milo was an interesting idea that deserved to be investigated upon further ; maybe not with Kinect, but with the idea of simply talking to a person and developing a social relationship with them over time, similar to how you build the foundation of a city into a giant metropolis. Molyneux’s Milo project became one of the most iconic figures of the early years of Kinect, but the project was never realized, Kinect functionality or not. And quite frankly, Milo remained one of the more interesting Kinect projects. Considering the widespread disapproval of Kinect, one of the few good things to come out of it was the potential of a game like Milo . Molyneux was trying to make something cool out of something massively disliked: Milo out of Kinect.<br><br>Fable eventually was released in 2005 to high anticipation, but the game failed to live up to Molyneux’s sky-high aspirations. The game earned acclaim for its real-time combat and various methods of dispatching foes, but the morality system was much more limited than originally pitched (good and evil were the only really distinctive ways to progress in the game) and a number of features such as the children component were missing. The abilities to impact the story and the world around you were disappointingly limited as well. But despite these problems, Fable was still received with enough praise that it became a full-fledged series, with Fable II dropping in 2008 and Fable III in 2010.<br><br>The sense of freedom became apparent in the early stages of the game during the tutorial. There was no fighter, mage or rogue class; the player simply trained in archery, melee combat and spellcraft. How these skills developed was based on what approach was used in battle and doing successful combos with any of them would multiply the gained experience. The experience was divided into the three combat categories along with general experience that could be distributed as desired. Personal experience seemed that mastering consistently high combat multipliers with the bow was tricky, but by halfway through the game the character would easily be a formidable magic using tank. Bandits, balverines and trolls quickly changed from dangerous enemies to cannon fodder.<br><br>While creating a sprawling <a href="https://forum.sangham.net/proxy.php?request=http%3A%2F%2FClassihub.in%2Fauthor%2Fnannetteswe%2F&hash=c8c9287accd19348f3e10fec298e725b48ebb207">Adventure game hunting Guide</a> controlled only by body movements may seem impossible, the world has been carefully sculpted around the concept. Nearly the entire game is on-rails, with player-controlled progress limited to traveling via horse and carriage. Movement of Seren is controlled by grabbing onto the reins. Once holding on, jerking both hands up in a cracking motion makes the horse go faster, while pulling your hands up towards your body stops her. To move left or right, you pull the hand of the intended direction towards you while extending the opposite arm. Intensity is based on how fast and dramatic the gestures are. Instead of simply darting to the next area, however, players must pay attention to not run into obstacles while scoping out any side-areas, where treasure chests or revealing NPCs can be found.<br>