Review: Divinity: Original Sin II

<br>The player is free to create a custom original character to fit their own design as was the case in its predecessor, but the option of selection a premade character with an origin story is available. These characters come with their own unique background that are closely linked to the main narrative. Origin story characters not selected by the player can still be encountered as NPCs and possible join the character's party. The origin story will be an evolving element of the character that is shaped through completion of origin story quests. The specific origin stories will influence how the inhabitant of Rivellon react to the player and will provide additional dialog options. There are currently four origin stories available in the Early Access with the plan to add more as the game continues to develop. To give an example of what makes origin stories unique, the character Lohse has an entity that communicates with her, something akin to demonic possession mixed with schizophrenia. It is possible for Lohse to enter a state of temporary insanity if she fails to win a challenge against this thing that dwells within her.<br><br>Divinity: Original Sin was met with universal acclaim when it was introduced over two years ago. This should not be surprising, as the title featured a massive world to explore had almost no restrictions on how the player went about completing it. This story driven adventure featured a multitude of side quests that could be handled in a variety of different manners, resulting in a game experience that becomes uniquely tailored to the player's choices and play style. Creating a worthy follow up to to such a quality game is no small task, but Larian Studios seems to be up to the ambitious task of creating a sequel that doesn't simply match the quality of its predecessor but also surpass it.<br><br>Set roughly a thousand years after the events of Divinity: Original Sin, the story begins with all the Origin characters along with the player and other NPCs on board a ship taking them to the prison island of Fort Joy, guilty of all being able to use the power of source like Rivellon's equivalent of a witch hunt. Source was declared an evil force, and all sourcerers have been rounded up and fitted with source muting collars to prevent them from unleashing their powers, <a href="http://Maps.Google.cd/url?q=https://Links.Gtanet.com.br/eltonsliva90">Http://Maps.Google.Cd/</a>; which is quite a reversal of circumstances from its predecessor where the player took on the role of a source hunter. The time on the ship serves as an introduction, a way for the player to get comfortable with the mechanics of the game and get a sense of the story. They are free to explore the ship and get a feel for interacting with NPCs and combat. This sequence will end the same way regardless of the player's choices, and that end is unfortunately on Fort Joy, possibly the most ironically named place in Rivellon. Escaping from Fort Joy is the primary objective, but the speed at which this task is completing and how exactly the player goes about this is entirely up to the individual.<br><br><img alt="\u6218\u7565\u751f\u5b58\u624b\u6e38\u300a\u65ed\u65e5\u4e4b\u57ce\u300b \u4e00\u573a\u91cd\u5efa\u661f\u7403\u6587\u660e\u7684\u5192\u9669 - \u58f3\u6728\u6e38\u620f" />There are some RPGs that hold the player's plan, at least through the beginning parts of the game. Divinity: Original Sin II **** is not one of these games. The player is given objectives and some hints at where they might need to head to accomplish them, but nearly unlimited freedom is given to the player in how they wish to go about it. This freedom on top of proverbially being thrown to the wolves level of hand holding can be overwhelming for players not used to it, but this means how the game unfolds is entirely up to how the player wishes to accomplish the myriad tasks. For example, if you have ever played an RPG and wished you could just hack everyone to death and not have to attend to the errands of an annoying NPC, that freedom exists. I am not suggesting that killing every NPC in the game will lead to the optimal experience with this title, but the freedom is there for anyone who wishes to try it. The barbaric blood path is a choice, the numerous dialog options as well as other behavior choices could make completing the story a very cerebral experience.<br><br>The tag system is a new feature introduced in this sequel, which allows specific dialog options to become available based on gender, race, profession, and origin story. New tags may be gained and current tags may be lost based on character decisions and achievements. Should the player choose to design a character without an origin story, they will have the choice to add extra tags during the creation process to help personalize the experience by giving the character a unique personality and dialog options. There are presets that allow a character to begin the game better suited for a play style fitting a traditional RPG class such as warrior or rogue but there are no character classes, allowing the character to be customized and built as they progress through the game however the player sees fit. The multiplayer limit has been raised from two player to four player, and players may be in direct conflict with each other during certain quest goals based on origin story, making it a spur of the moment decision to play cooperatively or competitively. There is also the new dynamic music system where the player selects a character's chosen instrument, allowing this instrument to take lead in the soundtrack during crucial moments of combat or story development.<br>